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Deep Blues: A Musical and Cultural History of the Mississippi Delta, by Robert Palmer
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Music category type book. Paperback. Robert Palmer, Author. Lightly age toned pages. A Penquin Book. 1982 reprinted in 1988. Printed in USA. Total 310 pages. Approximate size, 5 x 7.75. Brown covers with pictorials of Blues singers, band on the front cover - one guy wearing a blue suit. Pages clean with no markings or tears. Spine is tight and straight. A nice book that is quite educational about the "Blues" singers! See our photo, not like the one Amazon is showing on the presentation. *8BC2
- Sales Rank: #54339 in Books
- Published on: 1982-07-29
- Released on: 1982-07-29
- Original language: English
- Number of items: 1
- Dimensions: 7.70" h x .60" w x 5.00" l, .50 pounds
- Binding: Paperback
- 320 pages
- Music category. Paperback.
- Robert Palmer, author.
- 1982 reprinted in 1988. A Penquin Book.
- Total 310 pages.
About the Author
Robert Palmer was the New York Times's first full-time rock writer and chief pop critic (1976-1988) and has been a contributing editor at Rolling Stone since the early seventies. He has taught courses in American music at Yale, Carnegie-Mellon, Bowdoin, the University of Mississippi, and Brooklyn College, where he was the first Senior Research Fellow of the Institute for Studies in American Music to teach and write a musicological monograph on rock and roll. He is the author of Deep Blues and other books, and served as writer and music director for two award-winning documentary films, The World According to John Coltrane and Deep Blues. Since producing the latter film's sound track CD for Atlantic Records, he has produced a number of raw juke joint blues CDs for the Fat Possum label, winning a number of polls and awards. He acted as the chief advisor to the ten-part WGBH/BBC series.
Most helpful customer reviews
88 of 92 people found the following review helpful.
Fantastic effort
By Tyler Smith
Palmer's love of the blues shines through in this exceptional book. He's not interested in showing off his knowledge of the form (although that knowledge is exceptional); he's interested in illuminating for the reader the roots of a great indigenous art form and how that form developed in the 20th century. In that effort, he succeeds masterfully.
A fine early section explores how the music that we call the blues was seeded in N. America by African music. That chapter is a mini-history lesson in itself; Palmer shows how the music of slaves from W. Africa was viewed as subversive and dangerous by whites in the new land.
The remainder of the book is chock full of portraits of the heroes of early blues in the Mississippi Delta, from Charley Patton to Son House to Robert Johnson to Little Walter to Muddy Waters and beyond. Palmer shows how these men developed a music that grew directly out of the soil of the Delta, making do with the instruments they had and often living itinerant lives, moving from tiny town to tiny town to play dances and juke joints to keep the music alive.
The book also describes the historic migration of African-Americans from the Deep South to the industrial cities of the North, most importantly, of course, Chicago, where the musicians transformed the blues again, creating the electrified sounds that exerted such a powerful influence on white rock musicians from London to Liverpool to La Jolla, California.
Palmer has given us a great work with "Deep Blues," one that should be read by students of music and social history alike. It deserves a prominent place on the bookshelf of any serious lover of music.
46 of 48 people found the following review helpful.
Simply The Best
By csikkeng@remc7.k12.mi.us
There's no other way to put it, this is simply the best book out there on the blues both as a music form and as force in shaping American culture. At once simple and concise, yet broad and in depth enough to tell a very complete story, this one work should satisfy everyone from the novice to the experienced blues fan.
Meticulously researched, Palmer uses Muddy Waters as a jumping off point to explore the history and evolution of the blues as music as well as the society and culture from which it sprang. He peppers his work with amazing anecdotes, from the story of Robert Johnson, the Band meeting a dying Sonny Boy Williamson, an aging Howlin' Wolf giving a phenominal concert that add color to his story and helps make his frequent forays into musicology more tolerable to the non-musician. Best of all is the sense of time and place the book evokes, from plantations and dark swamps in rural Mississippi, to the noisy, crowed streets of South Chicago at the peak of the Great Migration, to small clubs and long forgotten juke-joints.
I read this book for the first time 10 years or so ago and have probably reread it 5 times since. I keep coming up with new things to admire about the book every time. That so much richness can be packed into such a short readable work is amazing. This book triumphs over everything else written on the subject and only leaves you wanting to explore further.
37 of 38 people found the following review helpful.
The Best Place to Start and End
By Technical Reader
Palmer's book was my introduction to the blues and I'm very glad of it because it's so wide and deep (like varying parts of the Mississippi River). You read this, you get the big picture story of the Delta Blues, how the music migrated to Chicago and other big cities and why it's so important to so much great music that came after it. It begins with musical historian Alan Lomax's fruitless search for Robert Johnson and ends with an older Muddy Waters, successful and wealthy, reflecting on his amazing journey. In between, we meet all the other players in Delta Blues, learn how the genre sprang up and see how it was adopted and copied wholesale by a slew of successful British and American rock 'n' rollers. Palmer never talks down to the reader but keeps his prose lively enough to entertain and educate a person with knowledge of the blues yet accessible enough to teach a neophyte. I find I come back to this book often to flesh out details of stories or anecdotes I've read elsewhere.
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